Review: Spacey Jane at Fremantle Arts Centre

Spacey Jane at Fremantle Arts Centre
w/ Fool Nelson, Stella Donnelly
Saturday, December 20, 2025

There’s something special about seeing a band play a hometown show when the crowd already knows every word. Spacey Jane’s Home For The Holidays run at Fremantle Arts Centre felt exactly like that—familiar, celebratory, and genuinely joyful. Playing two sold-out outdoor shows, the band returned to Fremantle on Friday and Saturday night, with Saturday’s second show feeling particularly settled and confident.

Set in the open-air surrounds of Fremantle Arts Centre, the venue suited the night perfectly. Warm weather, an easygoing crowd, and a sense that no one was in a rush made it an ideal setting for a summer concert. From early on, there was a buzz across the lawn that suggested this was more than just another tour stop—it felt like a homecoming.

Opening the night was Fool Nelson, who continue to impress with how quickly they’re coming into their own. Their set was tight and energetic, showing clear growth and confidence on stage. They’re a band that feels like they’re building momentum, and the crowd responded warmly.

Stella Donnelly followed with a set that was genuinely fun to watch. Her harmonies sounded great live, and her dancing quickly won the crowd over, adding a playful energy that carried through her whole performance.

When Spacey Jane took the stage, the atmosphere lifted immediately. Opening with Through My Teeth, the band set the tone early, launching into the set with purpose and energy. The crowd was fully locked in from the first song, singing along and moving together.

One of the most striking parts of Spacey Jane’s live show is how well they work as a group. Their chemistry is obvious—from shared smiles to synced movements—and it gives the performance a sense of ease that many bands struggle to achieve. There’s nothing forced about the way they interact on stage; it just feels natural.

Caleb Harper’s vocals were consistently strong throughout the set, delivering both the softer moments and bigger choruses with control and emotion. Bassist Peppa Lane’s harmonies added depth to the live sound, elevating songs that already resonated strongly with fans. Together, the band sounded polished while still keeping the looseness that makes a live show exciting.

A standout moment came during It’s Been A Long Day. As phone flashlights lit up the crowd, the atmosphere shifted into something quieter and more collective. Simple, unforced, and genuinely moving, it was one of those moments where the audience felt united, not just watching the band but actively part of the experience.

The set continued to build towards the finish, with the band maintaining energy and connection right through to the end. Closing with Lots of Nothing, Spacey Jane ended the night on a high, sending the crowd home buzzing. As the band returned to the stage together for a final bow, it felt like a fitting way to close a show built on togetherness—both within the band and between the band and their audience.

What made the second night of Home For The Holidays so strong wasn’t just the setlist or the venue, but the feeling in the crowd. People were relaxed, friendly, and fully present, creating an environment where the music could really land. Spacey Jane thrive in settings like this, where their connection to their audience feels genuine and earned.

This Fremantle show was a reminder of why Spacey Jane are so well regarded as a live act. Confident, cohesive, and clearly enjoying themselves, they delivered a performance that felt grounded and exciting in equal measure—a standout way to spend a summer night back home.

MOLLY ELLIOTT

Photos by Nicola Robb